Let’s see what the actual method is about. Notice that the throat starts in the back, under the lower jaw, making the neck wider at this point (I simplified it, but it’s useful to think of it this way). To understand them better, draw them on your template (with or without the skull). I grouped the muscles into sections based on their function and how they affect the final look. There are a lot of them on the head, but we don’t have to know each one’s name and location. The skull is the foundation for the muscles. To make sure you understand how the skull reveals itself in the head of a live lion, print this template and sketch the skull on each head. The round area with whiskers covers the upper fang almost fully, but not completely-some of it can be buried in the lower lip, in a special pouch that I’ll show you later. Notice that the corner of the lip is hanging below the edge of the lower jaw. It’s simplified to present only the crucial forms. This is what a feline skull looks like under the layers of fur, skin, and muscles. What we can see on the surface is just the end result of what’s beneath, and while you don’t have to be able to draw a skull from memory, knowing its structure can help you create new species with realistic anatomy, or reconstruct the look of an extinct cat just from its skull. My study isn’t finished yet, but I think I know enough to share some tricks with you! I think I succeeded at this at least partially, so here’s a tutorial with a detailed explanation of the technique that I use for drawing all cats, big and small. If this alone wasn’t difficult enough, I also wanted to develop a “recipe” that could potentially be used for other mammals, or the carnivores at least. I’ve been studying feline heads for a few years now with a goal to understand them completely, to be able to create new species without any references.
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